Every novel begins somewhere.
This one began in a quiet, wind‑swept cemetery in Denison Town, near Leadville in Western New South Wales.
I was walking among the old headstones when I came across a small, weathered grave bearing three names:
• Grace Ann Bayliss, died 1897, aged four
• Hannah Bayliss, died 1898, aged thirty‑six, during childbirth
• Stanley Ronald Bayliss, died eleven days later
Beneath Hannah’s name was the father’s: J.F. Bayliss.
History tells us almost nothing about him. No diary, no letters, no recorded memories. Only his initials carved into stone — a silent witness to a man who lost a daughter, a wife, and a newborn son in the space of a year. His grief is unrecorded, but it is impossible to stand before that grave and not feel the weight of it.
That moment stayed with me.
I didn’t want to tell his story — because the truth is, we don’t know it. But I wanted to honour the reality of such loss, and to imagine what a journey toward healing might have looked like for someone who had endured so much. The novel that grew from that place is fictional, yet its emotional core is anchored in the lives of Hannah, Grace Ann, Stanley Ronald, and the man named on the stone, J.F. Bayliss. Their suffering was known only to God and time, and I wanted this book to acknowledge that truth with gentleness and respect.
Two Scriptures shaped the heart of the story as I wrote.
The first is a promise that threads through Joseph’s journey:
Even when Joseph cannot feel God, God is there — steady, faithful, present in the darkness.
The second verse whispered through the quieter moments:
These words became the heartbeat of the novel. They reminded me that hope often arrives softly, like an echo carried on the wind — not loud, not dramatic, but unmistakably there.
My prayer is that Echoes of Hope offers readers the same quiet assurance:
You are not alone.
You have never been alone.
And even in the stillest places, hope continues to echo.